![]() Antoni Krauze - Biography . Photo: Sumik Roman/ Filmoteka Narodowa / www. Director of documentaries and feature films. Born in Warsaw in 1. Antoni Krauze, the brother of director and graphic artist Andrzej Krauze, studied at the Warsaw Academy of Fine Arts. Between 1. 95. 8- 1. Student Satirical Theater STS. In 1. 96. 6 he graduated with a degree in directing from the . ![]() Up until 1. 96. 9, he made films for the Educational Film Studio. His feature debut came in 1. Monid. He has won a number of major prizes, including the Grand Prix of San Remo for Prognoza pogody / The Weather Forcast in 1. The 1. 97. 0s was a time of ups and downs, in which Krauze was frequently labeled as being an author part of the so- called . This type of literature also had its most notable authors, such as Marek Nowakowski, craftsmen such as Jan Himilsbach or Leszek Plazewski, who were in fact able to capture an authentic glimpse of life of Poland in those times. Antoni Krauze willingly reached for these works for inspiration. It is worth noting that most of Krauze's earlier films (except Podr. Krauze talks about issues that are usually perceived as disgusting and are ridiculed in movies in a beautiful manner. People and places appear in his films, full of their ugliness, and without the negative features contained in the image itself, without the satire. Antoni Krauze looks for goodness in seemingly everyday people and impossible values in their gray and ordinary lives - which are in fact full of drama. Hanna Samsonowska, writing about Meta, Antoni Krauze's second film, a story of ordinary people living modestly in an old house in a district in which comfort nor convenience have not been achieved, notes that this film has a special beauty: That which would seem a paradox, given that there are no great heroes or attractive interiors and landscapes, nor a great idea that animates the form of drama. It holds the peculiar charm and dreariness of daily life sorrow and harmony (yes!) the days that monotonously go by. His films, however, are not warm, full of sympathy and affection plotted pictures. ![]() The director himself, following his first television film, stated: I was able to include some partial truth about these people in my films their behaviour and manners. These are micro- observations, closed within the so- called small realism. I would want to break these boundaries in the future, to reach a deeper truth about human life. But in this outer layer of reality, there are situations and entire sequences that . Like blood dripping into a glass of red wine from the ceiling this is madness. Antoni Krauze himself said that people like the hero in The Hand of God only cause trouble. They do not agree with the opinions of others, are dissatisfied with their fate, bring ferment. While our cool, typical, practical life- sense, usually does not require such people. In the same text, he explained that the concept of human fate formulated by Joseph Conrad gained increasing significance for him through his career and led the director to recognise some existential truths: A person is born in suffering, lives in suffering and dies suffering . It is important to preserve dignity, and fight to the end . Great pessimism - consciously - is also optimistic. Dziewczynka z hotelu Excelsior Opis filmu. Witold Pyrkosz; Maria Chwalib Dziewczynka z hotelu Excelsior (1988) Gatunek: Obyczajowy,Polskie: Wy. Gran Hotel: Grandfathered: Graves: Greek: Grimm . New Girl: Nie z tego. Rome’s majestic new hotel, the Excelsior. EXCELSIOR ROME, Author: Andreas Augustin, Name. ![]() He called The Hand of God a film about searching, not fulfillment, about a hero who appeared good for nothing, but who is a hero nonetheless. Films based on these types of individual characters created by Antoni Krauze accounted for in his greatest achievements during the Gierek period of prosperity and the Carnival of . But it is only an illusion. ![]() 1988 (A Little Girl from the Hotel 'Excelsior') Dzis w nocy umrze miasto: Movie: 1961 (Tonight a City Will Die; Die unvergessene Nacht; I nat d However his next movie, A Little Girl from the Hotel Excelsior (1988). The child has to submit to endless auditions for a film in which a little girl was. 260 results for hong kong tray. Original The Excelsior Hong Kong Ash Tray Travel Hotel. Treasure Heart 1988 Prairie Style Metal Tray W/Little Girl On Front. Krauze talks about this illusion in one of his works, which is the only one of his films, which is not an adaptation from literature, yet, certainly a very personal work, A Trip to Arabia. Bo. Jolanta Sarnecka noted that Anna from A Trip to Arabia and Tadeusz, the hero in The Hand of God, undergo a similar change . The film (The Weather Forecast), based on the wave of Solidarity protests, defies this notion. It is about fleeing residents of a nursing home. A breath of freedom, which the residents feel, for some the one and only - can be compared to the breath of freedom experienced by Polish society during the 1. This film, with a collective hero, is an exception in Krauze's works. However his next movie, A Little Girl from the Hotel Excelsior (1. While watching this film, one can't help but draw attention to what makes Antoni Krauze's filmmaking different as compared to other productions. It's about the ability to connect meticulously treated realities with what is fiction - whether the product of a sick imagination as in The Hand of God or the result of dreams as in A Little Girl.. Krauze is also able to tell a story where we never quite know whether what is happening on screen is in the world we are in, or a different world, even in such a feeble story as the A Little Girl from the Hotel Excelsior written by Eustachy Rylski which begins to shine a different light on screen. As Jan S. Transitions between reality and dreams are very smooth - pull in the hero and the spectator, like a gulf, into an extraordinary world of fantasy and originality and the detailed description of the resort- world becomes a universal reflection on life. FSP 1. 5/8. 8Another feature typical of Krauze's pictures is the artistic dimension. Critics have pointed it out - Bo. It seems that what links these seemingly different movies, is the ability to penetrate the human psyche, to get into the mental state of his characters, whether it be a driver from Strach, an unfulfilled actor in The Hand of God, a frustrated heroine in the film A Trip to Arabia, maybe an officer of the Soviet secret police in Aquarium, or finally the heroes prevailing in his biographical documentaries. Krauze has the ability to tell stories about human fate and the psychological portrait, with a deep respect for the hero. He is curious about the person's uniqueness, even if the given character is one of many. When reviewing the film Jan Zachwatowicz and Tadeusz Szyma wrote that. An opportunity for the creator of a documentary always comes the biographical approach, which allows you to give justice to the hero of the film, objectify his achievements, yet emphasise the uniqueness of this particular person. It tells the story of the massacre which happened in December 1. Tricity. Returning to one of the darkest moments in the history of PRL, Krauze focused on the story of Brunon Dryw, one of the victims of the violent pacification, who was killed by accident on December 1. He shows the family of the shipyard worker - his wife Stefania and their three children. Their private drama has been confronted with precisely arranged scenes of mass manifestations and with archival materials. This moving, well constructed was very well received both by the critics and the cinema audience. Even if there is pathos in its portrayal, it is a pure, noble pathos. That is why the bloody flag carried in one of the scenes doesn't give the impression of being a fake symbol of a nation's suffering - wrote . It was a good idea to cast little known actors in the main roles - Micha. In 2. 01. 1 Krauze's film won the Special Jury Award at the Gdynia Film Festival and the FIPRESCI award at the Montreal film festival. It was also noticed at festivals in Minsk, Chicago, Moscow and . In 2. 01. 6 Krauze's last, most controversial film, hit the screens. She starts an investigation to learn what happened and why did the Polish president Lech Kaczy. Film was realized between 2. The producer of the film is Maciej Pawlicki, and the funds were raised from sponsors and granters by the Smole. The filming started in 2. September 9th 2. 01. Filmography: Shorts: 1. Igraszki, co- directed with David Williamson and Feridun Erol, animated short. Licytacja, direction, short fiction film. Za parawanem, direction, short documentary. Pytam czy przegra. A filmed report from the Warsaw Ok. For WFO1. 96. 7 - W niedziel. For WFO1. 96. 7 - Konflikty. About the Social Work conciliation commissions. The problem of evasion of young people from working. Awards: 1. 99. 1 - The International Catholic Film Festival, Niepokalan. The portrait of a criminal. Wys. About the bohemian character, Jacek Baluch. Pisarz. The portrait of writer Witold Zalewski. Preisner czyli droga do sukcesu. The Portrait of composer Zbigniew Preisner. Uk. The portrait of the writer Witold Woroszylski. Szwed z 'Wesela' czyli niezdrowo i romantycznie, direction and screenplay, biographical. The portrait of Swedish poet and translator Anders Bodegard. Awards: 1. 99. 9 - National Short Film Festival, Krak. Portrait of the artist - amateur Franciszek Adamiak, a tailor. Awards: 1. 99. 9 at the National Short Film Festival, Krak. The portrait of director Stanis. A film dedicated to photographs captured during the communist period by CAF and censorship photo- journalists. Saved images and attitudes of their authors. Jan Zachwatowicz 1. The portrait of architect Jan Zachwatowicz. Wyzwoleni. A three- part documentary – three stories of people and their so- called survival of the Polish liberation by the Red Army, which actually meant a new slavery. Dlatego zrobi. The portrait of a documentary director Bohdan Kosi. A one hour and three hour movie devoted to the Krak. Portrait of Janina Garycka, companion of Piotr Skrzynecki and co- founder of Piwnica pod Baranami. Awards: 2. 00. 4 - National Short Film Festival, Krak. The portrait of the director Janusz Morgenstern. Do potomnego. A collective portrait of the . A film about the history of the Satirical Student Theatre. Nie wiem jak to si. A portrait of the poet Wis. A humorous story about a visit to one of the residents of a small town, the author of these portraits painted from photographs. Meta, direction, screenplay by Marek Nowakowski, TV film.
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